Watching

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Good Morning!

Jimmy Fallon, cutie patootie of my television set, you did a terrific job as host of the Emmy Awards last night (I like your show, too).  I’d go so far as to say that Billy Crystal probably thought you looked mahvelous, and that’s saying a lot.  What a hoot that was, especially seeing Jimmy’s imitations – he’s good!  Not to mention the belly tickling humor, all the touching speeches, and the great opening number.  Jon Hamm, let’s be square dance partners some time.  You can toss me up in the air.  Yes?  Okay!

Of course, the handsomeness of the tuxedos and the gorgeous gowns made me swoon.  And they were mostly good too, pretty and sparkly and fine.  Save a few, of course.  I don’t think ladies should look like they are draped in blue plastic or are in the process of imitating a Victorian lamp, no, no, no.  But who am I to judge, really?  If you feel pretty and your boat is afloat, I should keep my lip buttoned.  It’s not like I’ve ever had to choose a dress for the world to see.

As I am well aware that I become rather like a child once an award show comes on (as in, do not talk or distract me in any way unless there is a commercial), I thought ahead and made a simple supper that could easily be eaten directly in front of the television – Cauliflower cheese soup and our go-to green snack, crispy kale (recipe here).  This soup is good, my friends, and for it’s mind boggling simplicity, it’s truly hard to beat.  How about that crazy cauliflower color, too?  Orange like cheetos, but totally natural, certified organic even.  Mmm hmm.  Here’s the recipe -

Cauliflower Cheese Soup

1 head cauliflower florets

1 quart vegetable stock

4 ounces cheese, grated fine – I used colby jack, but cheddar or gruyere would work nicely, too

1/2 teaspoon smoked paprika

dash cayenne pepper

salt, to taste

Place the florets in a soup pot (mine is 3 1/2 quarts) and add the stock.  Unless your florets come from a very small head of cabbage, the stock won’t cover them all, so don’t fret.  Turn the heat to medium-high, and cook, covered, for about 30 minutes, until very soft.  Puree with an immersion blender until smooth – or you could leave some of the floret pieces whole if you like it chunky.  Taste and add salt as necessary.  Add the cheese, paprika, and cayenne pepper.  Stir until cheese is melted and well incorporated, about one minute.  Serve.  We had ours with the kale, rye crisp and a little butter, but crusty bread would be nice, too.

Enjoy!

More Movies

We’ve been rather fortunate to have seen a fine series of movies Under a Red Roof lately.  I love that.  There are few disappointments as severe as a film gone wrong.  No possibility of that today, however, no siree.

First off is Clean.  Maggie Cheung (who won a best actress award at Cannes for her portrayal) plays Emily Wang, bitchy, arrogant, spoiled heroin addict and girlfriend of fading musician Lee Hauser.  They have a child, Jay, who is being raised by his grandparents while they waste their lives driving around in an ugly sedan, playing music when they can, arguing, and, of course, scoring heroin.

Emily’s life is upturned when she and Lee get into yet another argument and she flees the scene to shoot up.  When she returns the following morning, the police surround the shabby hotel.  Lee is dead.  Emily serves time for being the source of the drugs that killed him and exits entirely directionless, save the hope that she will one day get it together so she can reunite with her son.  It is an honest and oftentimes painful look at the slow progress of an addict trying to change, with great music and locations – from the stark beauty of an oil refinery in Canada, to the streets of London and Paris.  As well, and in a pretty surprising role (at least to us), Nick Nolte plays the grandfather – tender, caring, and even keeled.  Well played, one and all.

Quite on the other side of the spectrum is Lost in Austen, a hysterically funny adaptation of Jane Austen’s Pride and Prejudice. The story follows Amanda Price, a somewhat hopeless and thoroughly modern romantic who tires of her boorish boyfriend’s ways, preferring to spend her time cozied up with the pages of her favorite novel.  All goes Pete Tong when she finds Elizabeth Bennet, the heroine of said novel, coming out of a secret passage in her bathroom.  What ensues is a delightful voyage into the countryside as Amanda tries and fails mightily to keep the novel on course while also coping with the technology (rather lack of) in 19th century England.

It has a stellar cast, some marvelous twists, and, of course, the witty repartee one expects in such an undertaking.  Here too, is a sampling of the lines that kept me in stitches:

Oh, you have standards, pet.  I hope they help you on with your coat when you’re seventy.

There really are ladies who steer the punt from the Cambridge end?

The drawing up of phlegm through the nose is not the action of a lady!

Brava, Miss Price!  And whenever life is gettin’ me down, I shall be sure to go ‘downtown’.  Eh, Darcy?

What is neon?

Okay, I’ve cleaned my teeth with chalk and shaved my legs with some sort of potato peeler.

Norse

I’ve got two terrific titles for you today, and a little alliteration, which is always fun.  Both are Norwegian and awfully good.

Buddy follows Kristoffer, a young and carefree billboard hanger who chronicles his everyday life via film.  Nothing is kept from the camera – laughter, the heartache of a recent breakup, and crazy behavior receive equal time.  When he and his friend/roommate Geir decide to jump from a third story window into a dumpster at a local news station, the pair are nearly caught, and Kristoffer loses some video tape in the process.  The station actually likes what they see, forgive his and Geir’s trespassing, and offer them a weekly spot on a popular show. They and their third roommate Stig (who hasn’t left their apartment complex for two years) become local celebrities.  The future looks bright for rising star Kristoffer, but problems ensue when his increasing popularity causes his friends and his relationships with them to suffer.  It’s a great story about true friendship – what it really means to be a Buddy.

Hawaii, Oslo follows the paths of several strangers on the hottest day of the year.  Frode and Milla are overcome with grief that their newborn baby might die.  Two young boys search for their mother after the loss of their dad.  Institutionalized Leon has a date made ten years earlier to meet his childhood sweetheart Asa.   Leon’s brother, Trygve has a weekend leave from prison to visit him on his birthday.  At the center, touching all of their lives, is Vidar, a nurse who can see the future in his sleep, or can he?  It’s a great story about the power of dreams and finding what is most meaningful in life.

I read somewhere recently that the purpose of school is to make people learn to conform.   I have to admit that a tight knot formed in my belly upon reading it.  Fighting words.  School is so much more.  Then I thought a bit more about it and found myself conforming to whomever’s idea it was.  Sit here, be nice, 2+2=4, oh, and you better agree with me.  I’ve spent a lot of my life agreeing with people.  Sometimes even when I really don’t.  It is easier and kinder and usually feels right.  What about those times when it doesn’t?  When I quit the charade and speak my mind?  It surprises people and I don’t get invited back to that cool clique on the playground.  Someone I used to know called it my hard nugget.  “See, you’re petite, and have such a sweet smile, and then POW! out comes the hard nugget.”

I would rather be alone than not be me.  It’s that simple.  Which is a rather roundabout way of getting to Visioneers, the topic of today’s spotlight.  It is a weird and wacky black comedy about the power of corporate America to infiltrate our lives (and the government), and one man’s struggle to discover his authentic self, no matter the cost.

When the number of people exploding from some mystery ailment drastically increases, Visioneer George Washington Winsterhammerman (played by Zach Galifianakis of The Hangover fame) begins to worry.  He’s got the classic symptoms – insomnia, loss of interest in sex, binge eating and, most frightening of all – he still dreams.

I really liked this movie.  First off, in the aforementioned wacky way, it totally made me laugh.  People at the company where George works  flip each other off and say, “Jeffers Morning” to greet each other.  The insignia for the company is this same gesture (see it there in the poster?).  They are terrified by chaos, but they call it “chay-os.”  They are an uber efficient and detached group of conformists, with an extreme terror of exploding.   Especially George.

Yet there is a certain pleasure in his work, a connection with his level four boss, Charisma.  She calls and is friendly, human even.  She attaches sticky notes with smiley faces to his work.  But, when she gets fired and disappears, George starts to unravel and descend into chay-os.  His already troubled marriage takes a turn; his weird, drop-out brother starts to make sense, and his dreams intensify.  Is he going to explode?  It was terribly worthwhile to find out.

Well, actually, I should say that I prefer his films of this era, because I still think he’s pretty terrific as a person.  He seems like a good guy: affable, likable, decent, and any time I’ve seen him on Ellen he’s been game for pretty much anything.  As a matter of fact, he’s probably the best celebrity I’ve seen play Humdinger, so there.  I’m just not crazy about the movies he’s made lately.

It all started with his breakout role in Swingers, and Trent, of course.  He’s ballsy, a natty dresser with a cool car (a 1964 Mercury Comet), and the best cheerleader of a friend any fella could ask for.  He’s got so many great lines that, at least for me, never get old:

” Baby, you’re so money and you don’t even know it!”

“You take yourself out of the game; you start talking about puppy dogs and ice cream, and of course it’s going to end up on the friendship tip.”

“I don’t want you to be the guy in the PG-13 movie everyone’s *really* hoping makes it happen.”

Then, in what I consider his best year of film, he played what I now realize is kind of the serial killer version of Trent in Clay Pigeons.  He’s Lester Long (the name does have a killer ring to it), a guy’s best friend, with an edge, though he’s decked out in western wear gear this time (come square dancing!).

In A Cool Dry Place, he’s divorced and raising his son in a small Kansas town when life gets complicated by a new romance, a life changing job offer, and the return of his ex wife. 

Return to Paradise pairs him with Joaquin Phoenix again (he’s the Clay of Clay Pigeons), in a rather sad tale of good times gone bad.  A trio of men meet in Malaysia, do a lot of partying and drugs, before two return home.  Unfortunately, they leave their drugs and the third, played by Phoenix, is accused of drug trafficking as a result.  Two years go by and they are contacted and asked to go to jail in order to prevent the third from being hung for his “crime.”  It’s a beautiful tale, one that asks some pretty interesting questions, too.

So Vince, since I know you read my wildly popular blog, how about some more 1998?  It would make this fan very happy!

As my cutie pie neighbor Keirnan (age five) might say, “She’s up to her old tricks.”  He’d be right, too.  I am up to my old tricks, loving the offbeat films where the actors are decidedly not up to theirs.  It is so refreshing!

The hubster and I saw Greenberg this past weekend.  Finally, finally something I was interested in seeing at the Academy.  I have been waiting for ages.  Seriously, I cannot remember when I was there last, and it totally bums me out.  I love movies.  I love sitting in movie theaters.  I love watching people file in and search for the perfect seat.  I love the moment the lights dim and the action starts, all the while munching on buttery popcorn and Reese’s Pieces, despite their absence of nutrition.  For the film is the sustenance, the essence of life, moments in darkness that ultimately illuminate.

I digress.  Greenberg, save two, um, cold(?) sex scenes, yes, cold, is one of those train wreck type films.  I could not look away, yet my heart kind of ached to.  It is the story of Roger Greenberg: broken man, letter writer, vest wearer.  He’s come to Los Angeles to house sit for his brother’s family after suffering a mental breakdown.  He’s meant to build a dog house, take care of its future occupant, Mahler, and, as he states rather explicitly, do nothing else.  It doesn’t quite work out as planned, as he immediately has feelings for his brother’s assistant Florence (a pitch perfect performance from Greta Gerwig), the dog gets sick, and he generally makes an ass of himself, though he puts the blame squarely on others.  It’s a great story about loss, starting off on the wrong foot, and the way we cobble our lives back together.  Perfect in its imperfection.

Will Farrel is Harold Crick, a boring and friendless IRS agent who suddenly starts hearing a voice.  A voice that knows him well, is never wrong, and clearly states that he is going to die.   What ensues is a beautiful transformation – from a numbers man ticking away the hours to a human being truly living and loving life.  So very, very good.  It makes me want to be a better writer.

This is Paul Thomas Anderson’s fantastic and exhilarating art house version of Adam Sandler.   As much as I like movies like 50 First Dates and Mr. Deeds (Are you surprised?  Do you underestimate my sneakiness?  They’re funny!), I sure wish he would make more movies like this.  Sandler plays Barry Egan, intense, lonely, incessantly badgered by his annoying and domineering sisters, he is constantly on the verge of rage and violence, and utterly powerless to stop it.   When a woman unexpectedly enters his life, there is instant chemistry and mystery.  What will he do?  Will this end badly?  What about that awful guy at the phone sex place?  Finding out is a great and scary ride.

This last one could actually be tied with Vampire’s Kiss.  Have you seen that one?  Nicholas Cage (circa 1988) plays a guy who thinks he’s been bitten by a vampire and acts accordingly, sporting fake teeth and all.  Which only makes me think of Chris Cooper’s teeth in this movie, oy vay, creepy.  This movie is strange, smart, and beautiful.  Nicholas Cage plays the Kaufman brothers, so unlike any character I have ever seen.  Fearful, weird, out of shape, paranoid, balding, and obsessed, yet likable.  The kind of underdog fellas you root for.  Besides that, there’s Meryl Streep and Chris Cooper.  Who could ask for anything more?

I love a good surprise of a film.  When we got this one in the mail we, quite frankly, were a little worried.  A killer with Alzheimer’s?  This can’t be good.  Why did I even put it in the queue?  Besides, we’d been on a Mad Men Season Three spree (one more DVD to go!) and weren’t terribly keen on breaking up the flow, but, reluctant as we were, we did, and boy were we ever glad.  This is a fantastic film.

The story follows two men on very different sides of the law.  One, a cop who cannot let go of a particular case involving a young girl, and the other, a professional hit man.  Each man is damaged and worn in his own way.  Vincke (the police officer) is obsessed by work and a great loss, and Ledda by the beginning stages of Alzheimer’s and a past he thought he left behind.  The two men’s lives intersect when they both find themselves working on the same case.  Vincke wants to bring the criminals to justice, while Ledda prefers them dead.

It is a race to the finish, as Ledda, with a clear lead over the police, leaves them clues and calls them out on their slowness.  It is an expertly written and well acted story.  Full of moral ambiguity, surprises, twists, and odd bits of humor, this film was a worthy pause in the Mad Men frenzy.

Howdy Neighbors.

It was kind of a low energy week around here (but we’re working on the B-12 intake), so much of our time was spent in front of the boob tube.  We watched LOST (my favorite episode thus far), Flight of the Conchords Season Two, Disc One, Syriana, and far too much Entertainment Tonight.  I am slightly embarrassed to say how much I keep thinking of Sandra Bullock, the man who shall not be named, and the tattooed ladies.  She seems like such a nice person, so giving and thoughtful of others.  To be treated that way is pretty low-down.

So, we needed something funny in our lives with all these clouds and sleepiness and whatnot, and were definitely not disappointed by Flight of the Conchords.  For those of you who haven’t seen the show (Mom – you probably want to skip it), it follows the exploits of Jemaine and Bret (sounds like Brit), an adorable folk-comedy duo from New Zealand as  they scrape by in New York city.  They get robbed, form a gang, and consider prostitution as a means to get by, because the singing just isn’t paying the bills.   Their “manager,” Murray, really a consulate worker, is more of a hindrance than a help, but they can’t seem to get by without him, either.  The highlight of the show is their wacky way of inserting their music into the story.  The hubster and I nearly cry from laughing so hard at songs like “Too Many Dicks on the Dance Floor,” and “All the Ladies Love My Sugar Lumps.”  Good fun.  I’m kind of sad that this is the last season.  That being said, good for Bret and Jemaine for deciding when to say when.

For our more serious side (much more), we watched Syriana.  It is a great thriller that examines, through four parallel stories, the often times corrupt relationships between the United States and the Middle East, the desire for power and money, as well as the allure of radical Islam -  all through the lens of the oil industry, of course.  It has a great cast (George Clooney won an Oscar for his role) and a stomach churning story line that will break your heart and stoke your fury.  For those (like me) who don’t tolerate physical violence, you’ll want to watch it with someone who can tell you when you can uncover your eyes, unplug your ears, and stop chanting la, la, la to yourself when someone gets tortured.  It’s a pretty fascinating look at how we all think we are doing what is right.

Here’s another hodgepodge post for you, starting with a terrific Danish film, Kinamand.  It follows Keld, a man who can best be described as being in a rut.  He’s a plumber who doesn’t show up for appointments and a man who doesn’t show up for his marriage.  Frustrated by his apathy, his wife leaves him, which leaves Keld to dine at the Chinese restaurant across the street every day.  As he makes his way through the menu, he forges a friendship with the owner, Feng.  After a pipe bursts and Keld completes the necessary repairs, Feng takes him into his confidence and asks Keld if he would consider taking money to marry his sister (very pro-forma) so she can stay in the country.  Initially, Keld refuses, but when his wife asks for a financial settlement under the terms of their divorce, he sees this as an easy solution to his problem.  The two marry and move in together to keep up appearances.  What starts as tense and very pro-forma develops into a tender relationship between a very oddly matched pair, with a few surprises along the way.  Subtle and beautiful.

I am also very jazzed about the Oscars this weekend – the admiring of the dresses on the red carpet, the speeches, and the hosts.  I think Alec and Steve (written like I am intimate with them, oh, my friends Alec and Steve!) will be a fine combination, so I am guaranteed to be sitting in front of the television for many hours Sunday afternoon and evening.  I’ve even got a ballot printed and ready to take notes.  Do you?

As well, Sunday is the second anniversary of Under a Red Roof.  Two years, fancy that!  Maybe we’ll have a little cocktail while watching the Oscars to celebrate.  Thanks for reading!

A Single Man

This is the second of the three films I was so giddy to see at the Hollywood Theater.  I went solo on Monday night and was thoroughly enthralled by the picture.  Tom Ford got it right, boy did he ever.

An aside before I write further about the film.  I love Tom Ford.  He is smart, sexy, thoughtful, and has a magnificent eye.  He was born in Texas, but was raised in Santa Fe.  Another aside, here.  Santa Fe is the capital of New Mexico, which is one of the fifty states of the U.S. of A, not part of Mexico.  I say this because my Mom, knowing of our fondness for the Land of Enchantment (see posts I, II, III), bought us a subscription to New Mexico magazine.  On the last page of every issue are stories relating how people mistakenly believe New Mexico is not part of the United States and deny citizens and visitors of that fine state insurance coverage and package delivery, among other things, because these services aren’t provided “outside of the country.”  Talk about shock and awe!  Don’t we learn the fifty states in elementary school?  How about taking a glance at a map?  Come on people – get with program.  It’s really not that difficult.   Getting off my soapbox and back to Mr. Ford.  Anyone with his combination of  provenance, fine looks, good humor, and talent  rates pretty highly in my book.

As for the story, it follows George Falconer, played by the dapper and oh so right Colin Firth (those glasses!), as he moves through what he plans to be his final day on earth.  Rocked to the core by the loss of his partner of sixteen years eight months previously, George is unable to cope with life.  The void left with the loss of Jim is insurmountable, rendering the world dull and lifeless.

Ironically, it is his decision to take his own life that brings color back into his world.  George’s senses are heightened, taking in details for what may be the very last time.  The eyes of strangers and colleagues at the college where he teaches, the scent of a woman, the color of her lips, the musculature of a tennis player, the brilliant pink of the sky at dusk.  It is all quite beautiful and new to him.

Then there are the memories of Jim, the harshness of a world unaccepting of gay men, and the desire to connect, with truth and honesty, to another human being.  Lovely.

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