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As someone who nearly always has a song in my head (and in my heart, for that matter), it should come as no surprise that I thoroughly enjoyed this film.  It brings together, for the first time, three rather iconic guitar players (an understatement, to be sure) to play together, discuss their craft, or as Jack White says, “To trick them into sharing what they know.”

The result is a marvelous glimpse into the lives and creative processes of three very skilled musicians.  I loved learning about them as people (of course) and their vastly different ways to approaching the guitar.  Jack is very interested in the raw and bare bones.  The Edge is a tinkerer, with myriad gadgets to make myriad and often surprising variations in sound.  Jimmy, I’d say is the most straight ahead (if that’s the proper term).  What can this guitar do?

There’s also some great history and footage of each in earlier years and previous incarnations and hair cuts.  I found it all rather fascinating, and pretty touching, too.  Each has such reverence for music and sound.   Then there is the story of how each came to play.  Serendipity – a random poster on a school wall, a guitar left behind, another bartered for the use of a pick up truck.  It really makes me wonder if there are no coincidences in life.  Pretty darn cool!

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More Movies

We’ve been rather fortunate to have seen a fine series of movies Under a Red Roof lately.  I love that.  There are few disappointments as severe as a film gone wrong.  No possibility of that today, however, no siree.

First off is Clean.  Maggie Cheung (who won a best actress award at Cannes for her portrayal) plays Emily Wang, bitchy, arrogant, spoiled heroin addict and girlfriend of fading musician Lee Hauser.  They have a child, Jay, who is being raised by his grandparents while they waste their lives driving around in an ugly sedan, playing music when they can, arguing, and, of course, scoring heroin.

Emily’s life is upturned when she and Lee get into yet another argument and she flees the scene to shoot up.  When she returns the following morning, the police surround the shabby hotel.  Lee is dead.  Emily serves time for being the source of the drugs that killed him and exits entirely directionless, save the hope that she will one day get it together so she can reunite with her son.  It is an honest and oftentimes painful look at the slow progress of an addict trying to change, with great music and locations – from the stark beauty of an oil refinery in Canada, to the streets of London and Paris.  As well, and in a pretty surprising role (at least to us), Nick Nolte plays the grandfather – tender, caring, and even keeled.  Well played, one and all.

Quite on the other side of the spectrum is Lost in Austen, a hysterically funny adaptation of Jane Austen’s Pride and Prejudice. The story follows Amanda Price, a somewhat hopeless and thoroughly modern romantic who tires of her boorish boyfriend’s ways, preferring to spend her time cozied up with the pages of her favorite novel.  All goes Pete Tong when she finds Elizabeth Bennet, the heroine of said novel, coming out of a secret passage in her bathroom.  What ensues is a delightful voyage into the countryside as Amanda tries and fails mightily to keep the novel on course while also coping with the technology (rather lack of) in 19th century England.

It has a stellar cast, some marvelous twists, and, of course, the witty repartee one expects in such an undertaking.  Here too, is a sampling of the lines that kept me in stitches:

Oh, you have standards, pet.  I hope they help you on with your coat when you’re seventy.

There really are ladies who steer the punt from the Cambridge end?

The drawing up of phlegm through the nose is not the action of a lady!

Brava, Miss Price!  And whenever life is gettin’ me down, I shall be sure to go ‘downtown’.  Eh, Darcy?

What is neon?

Okay, I’ve cleaned my teeth with chalk and shaved my legs with some sort of potato peeler.

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Norse

I’ve got two terrific titles for you today, and a little alliteration, which is always fun.  Both are Norwegian and awfully good.

Buddy follows Kristoffer, a young and carefree billboard hanger who chronicles his everyday life via film.  Nothing is kept from the camera – laughter, the heartache of a recent breakup, and crazy behavior receive equal time.  When he and his friend/roommate Geir decide to jump from a third story window into a dumpster at a local news station, the pair are nearly caught, and Kristoffer loses some video tape in the process.  The station actually likes what they see, forgive his and Geir’s trespassing, and offer them a weekly spot on a popular show. They and their third roommate Stig (who hasn’t left their apartment complex for two years) become local celebrities.  The future looks bright for rising star Kristoffer, but problems ensue when his increasing popularity causes his friends and his relationships with them to suffer.  It’s a great story about true friendship – what it really means to be a Buddy.

Hawaii, Oslo follows the paths of several strangers on the hottest day of the year.  Frode and Milla are overcome with grief that their newborn baby might die.  Two young boys search for their mother after the loss of their dad.  Institutionalized Leon has a date made ten years earlier to meet his childhood sweetheart Asa.   Leon’s brother, Trygve has a weekend leave from prison to visit him on his birthday.  At the center, touching all of their lives, is Vidar, a nurse who can see the future in his sleep, or can he?  It’s a great story about the power of dreams and finding what is most meaningful in life.

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I read somewhere recently that the purpose of school is to make people learn to conform.   I have to admit that a tight knot formed in my belly upon reading it.  Fighting words.  School is so much more.  Then I thought a bit more about it and found myself conforming to whomever’s idea it was.  Sit here, be nice, 2+2=4, oh, and you better agree with me.  I’ve spent a lot of my life agreeing with people.  Sometimes even when I really don’t.  It is easier and kinder and usually feels right.  What about those times when it doesn’t?  When I quit the charade and speak my mind?  It surprises people and I don’t get invited back to that cool clique on the playground.  Someone I used to know called it my hard nugget.  “See, you’re petite, and have such a sweet smile, and then POW! out comes the hard nugget.”

I would rather be alone than not be me.  It’s that simple.  Which is a rather roundabout way of getting to Visioneers, the topic of today’s spotlight.  It is a weird and wacky black comedy about the power of corporate America to infiltrate our lives (and the government), and one man’s struggle to discover his authentic self, no matter the cost.

When the number of people exploding from some mystery ailment drastically increases, Visioneer George Washington Winsterhammerman (played by Zach Galifianakis of The Hangover fame) begins to worry.  He’s got the classic symptoms – insomnia, loss of interest in sex, binge eating and, most frightening of all – he still dreams.

I really liked this movie.  First off, in the aforementioned wacky way, it totally made me laugh.  People at the company where George works  flip each other off and say, “Jeffers Morning” to greet each other.  The insignia for the company is this same gesture (see it there in the poster?).  They are terrified by chaos, but they call it “chay-os.”  They are an uber efficient and detached group of conformists, with an extreme terror of exploding.   Especially George.

Yet there is a certain pleasure in his work, a connection with his level four boss, Charisma.  She calls and is friendly, human even.  She attaches sticky notes with smiley faces to his work.  But, when she gets fired and disappears, George starts to unravel and descend into chay-os.  His already troubled marriage takes a turn; his weird, drop-out brother starts to make sense, and his dreams intensify.  Is he going to explode?  It was terribly worthwhile to find out.

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Well, actually, I should say that I prefer his films of this era, because I still think he’s pretty terrific as a person.  He seems like a good guy: affable, likable, decent, and any time I’ve seen him on Ellen he’s been game for pretty much anything.  As a matter of fact, he’s probably the best celebrity I’ve seen play Humdinger, so there.  I’m just not crazy about the movies he’s made lately.

It all started with his breakout role in Swingers, and Trent, of course.  He’s ballsy, a natty dresser with a cool car (a 1964 Mercury Comet), and the best cheerleader of a friend any fella could ask for.  He’s got so many great lines that, at least for me, never get old:

” Baby, you’re so money and you don’t even know it!”

“You take yourself out of the game; you start talking about puppy dogs and ice cream, and of course it’s going to end up on the friendship tip.”

“I don’t want you to be the guy in the PG-13 movie everyone’s *really* hoping makes it happen.”

Then, in what I consider his best year of film, he played what I now realize is kind of the serial killer version of Trent in Clay Pigeons.  He’s Lester Long (the name does have a killer ring to it), a guy’s best friend, with an edge, though he’s decked out in western wear gear this time (come square dancing!).

In A Cool Dry Place, he’s divorced and raising his son in a small Kansas town when life gets complicated by a new romance, a life changing job offer, and the return of his ex wife. 

Return to Paradise pairs him with Joaquin Phoenix again (he’s the Clay of Clay Pigeons), in a rather sad tale of good times gone bad.  A trio of men meet in Malaysia, do a lot of partying and drugs, before two return home.  Unfortunately, they leave their drugs and the third, played by Phoenix, is accused of drug trafficking as a result.  Two years go by and they are contacted and asked to go to jail in order to prevent the third from being hung for his “crime.”  It’s a beautiful tale, one that asks some pretty interesting questions, too.

So Vince, since I know you read my wildly popular blog, how about some more 1998?  It would make this fan very happy!

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