Watching

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I read somewhere recently that the purpose of school is to make people learn to conform.   I have to admit that a tight knot formed in my belly upon reading it.  Fighting words.  School is so much more.  Then I thought a bit more about it and found myself conforming to whomever’s idea it was.  Sit here, be nice, 2+2=4, oh, and you better agree with me.  I’ve spent a lot of my life agreeing with people.  Sometimes even when I really don’t.  It is easier and kinder and usually feels right.  What about those times when it doesn’t?  When I quit the charade and speak my mind?  It surprises people and I don’t get invited back to that cool clique on the playground.  Someone I used to know called it my hard nugget.  “See, you’re petite, and have such a sweet smile, and then POW! out comes the hard nugget.”

I would rather be alone than not be me.  It’s that simple.  Which is a rather roundabout way of getting to Visioneers, the topic of today’s spotlight.  It is a weird and wacky black comedy about the power of corporate America to infiltrate our lives (and the government), and one man’s struggle to discover his authentic self, no matter the cost.

When the number of people exploding from some mystery ailment drastically increases, Visioneer George Washington Winsterhammerman (played by Zach Galifianakis of The Hangover fame) begins to worry.  He’s got the classic symptoms – insomnia, loss of interest in sex, binge eating and, most frightening of all – he still dreams.

I really liked this movie.  First off, in the aforementioned wacky way, it totally made me laugh.  People at the company where George works  flip each other off and say, “Jeffers Morning” to greet each other.  The insignia for the company is this same gesture (see it there in the poster?).  They are terrified by chaos, but they call it “chay-os.”  They are an uber efficient and detached group of conformists, with an extreme terror of exploding.   Especially George.

Yet there is a certain pleasure in his work, a connection with his level four boss, Charisma.  She calls and is friendly, human even.  She attaches sticky notes with smiley faces to his work.  But, when she gets fired and disappears, George starts to unravel and descend into chay-os.  His already troubled marriage takes a turn; his weird, drop-out brother starts to make sense, and his dreams intensify.  Is he going to explode?  It was terribly worthwhile to find out.

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Well, actually, I should say that I prefer his films of this era, because I still think he’s pretty terrific as a person.  He seems like a good guy: affable, likable, decent, and any time I’ve seen him on Ellen he’s been game for pretty much anything.  As a matter of fact, he’s probably the best celebrity I’ve seen play Humdinger, so there.  I’m just not crazy about the movies he’s made lately.

It all started with his breakout role in Swingers, and Trent, of course.  He’s ballsy, a natty dresser with a cool car (a 1964 Mercury Comet), and the best cheerleader of a friend any fella could ask for.  He’s got so many great lines that, at least for me, never get old:

” Baby, you’re so money and you don’t even know it!”

“You take yourself out of the game; you start talking about puppy dogs and ice cream, and of course it’s going to end up on the friendship tip.”

“I don’t want you to be the guy in the PG-13 movie everyone’s *really* hoping makes it happen.”

Then, in what I consider his best year of film, he played what I now realize is kind of the serial killer version of Trent in Clay Pigeons.  He’s Lester Long (the name does have a killer ring to it), a guy’s best friend, with an edge, though he’s decked out in western wear gear this time (come square dancing!).

In A Cool Dry Place, he’s divorced and raising his son in a small Kansas town when life gets complicated by a new romance, a life changing job offer, and the return of his ex wife. 

Return to Paradise pairs him with Joaquin Phoenix again (he’s the Clay of Clay Pigeons), in a rather sad tale of good times gone bad.  A trio of men meet in Malaysia, do a lot of partying and drugs, before two return home.  Unfortunately, they leave their drugs and the third, played by Phoenix, is accused of drug trafficking as a result.  Two years go by and they are contacted and asked to go to jail in order to prevent the third from being hung for his “crime.”  It’s a beautiful tale, one that asks some pretty interesting questions, too.

So Vince, since I know you read my wildly popular blog, how about some more 1998?  It would make this fan very happy!

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As my cutie pie neighbor Keirnan (age five) might say, “She’s up to her old tricks.”  He’d be right, too.  I am up to my old tricks, loving the offbeat films where the actors are decidedly not up to theirs.  It is so refreshing!

The hubster and I saw Greenberg this past weekend.  Finally, finally something I was interested in seeing at the Academy.  I have been waiting for ages.  Seriously, I cannot remember when I was there last, and it totally bums me out.  I love movies.  I love sitting in movie theaters.  I love watching people file in and search for the perfect seat.  I love the moment the lights dim and the action starts, all the while munching on buttery popcorn and Reese’s Pieces, despite their absence of nutrition.  For the film is the sustenance, the essence of life, moments in darkness that ultimately illuminate.

I digress.  Greenberg, save two, um, cold(?) sex scenes, yes, cold, is one of those train wreck type films.  I could not look away, yet my heart kind of ached to.  It is the story of Roger Greenberg: broken man, letter writer, vest wearer.  He’s come to Los Angeles to house sit for his brother’s family after suffering a mental breakdown.  He’s meant to build a dog house, take care of its future occupant, Mahler, and, as he states rather explicitly, do nothing else.  It doesn’t quite work out as planned, as he immediately has feelings for his brother’s assistant Florence (a pitch perfect performance from Greta Gerwig), the dog gets sick, and he generally makes an ass of himself, though he puts the blame squarely on others.  It’s a great story about loss, starting off on the wrong foot, and the way we cobble our lives back together.  Perfect in its imperfection.

Will Farrel is Harold Crick, a boring and friendless IRS agent who suddenly starts hearing a voice.  A voice that knows him well, is never wrong, and clearly states that he is going to die.   What ensues is a beautiful transformation – from a numbers man ticking away the hours to a human being truly living and loving life.  So very, very good.  It makes me want to be a better writer.

This is Paul Thomas Anderson’s fantastic and exhilarating art house version of Adam Sandler.   As much as I like movies like 50 First Dates and Mr. Deeds (Are you surprised?  Do you underestimate my sneakiness?  They’re funny!), I sure wish he would make more movies like this.  Sandler plays Barry Egan, intense, lonely, incessantly badgered by his annoying and domineering sisters, he is constantly on the verge of rage and violence, and utterly powerless to stop it.   When a woman unexpectedly enters his life, there is instant chemistry and mystery.  What will he do?  Will this end badly?  What about that awful guy at the phone sex place?  Finding out is a great and scary ride.

This last one could actually be tied with Vampire’s Kiss.  Have you seen that one?  Nicholas Cage (circa 1988) plays a guy who thinks he’s been bitten by a vampire and acts accordingly, sporting fake teeth and all.  Which only makes me think of Chris Cooper’s teeth in this movie, oy vay, creepy.  This movie is strange, smart, and beautiful.  Nicholas Cage plays the Kaufman brothers, so unlike any character I have ever seen.  Fearful, weird, out of shape, paranoid, balding, and obsessed, yet likable.  The kind of underdog fellas you root for.  Besides that, there’s Meryl Streep and Chris Cooper.  Who could ask for anything more?

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I love a good surprise of a film.  When we got this one in the mail we, quite frankly, were a little worried.  A killer with Alzheimer’s?  This can’t be good.  Why did I even put it in the queue?  Besides, we’d been on a Mad Men Season Three spree (one more DVD to go!) and weren’t terribly keen on breaking up the flow, but, reluctant as we were, we did, and boy were we ever glad.  This is a fantastic film.

The story follows two men on very different sides of the law.  One, a cop who cannot let go of a particular case involving a young girl, and the other, a professional hit man.  Each man is damaged and worn in his own way.  Vincke (the police officer) is obsessed by work and a great loss, and Ledda by the beginning stages of Alzheimer’s and a past he thought he left behind.  The two men’s lives intersect when they both find themselves working on the same case.  Vincke wants to bring the criminals to justice, while Ledda prefers them dead.

It is a race to the finish, as Ledda, with a clear lead over the police, leaves them clues and calls them out on their slowness.  It is an expertly written and well acted story.  Full of moral ambiguity, surprises, twists, and odd bits of humor, this film was a worthy pause in the Mad Men frenzy.

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Howdy Neighbors.

It was kind of a low energy week around here (but we’re working on the B-12 intake), so much of our time was spent in front of the boob tube.  We watched LOST (my favorite episode thus far), Flight of the Conchords Season Two, Disc One, Syriana, and far too much Entertainment Tonight.  I am slightly embarrassed to say how much I keep thinking of Sandra Bullock, the man who shall not be named, and the tattooed ladies.  She seems like such a nice person, so giving and thoughtful of others.  To be treated that way is pretty low-down.

So, we needed something funny in our lives with all these clouds and sleepiness and whatnot, and were definitely not disappointed by Flight of the Conchords.  For those of you who haven’t seen the show (Mom – you probably want to skip it), it follows the exploits of Jemaine and Bret (sounds like Brit), an adorable folk-comedy duo from New Zealand as  they scrape by in New York city.  They get robbed, form a gang, and consider prostitution as a means to get by, because the singing just isn’t paying the bills.   Their “manager,” Murray, really a consulate worker, is more of a hindrance than a help, but they can’t seem to get by without him, either.  The highlight of the show is their wacky way of inserting their music into the story.  The hubster and I nearly cry from laughing so hard at songs like “Too Many Dicks on the Dance Floor,” and “All the Ladies Love My Sugar Lumps.”  Good fun.  I’m kind of sad that this is the last season.  That being said, good for Bret and Jemaine for deciding when to say when.

For our more serious side (much more), we watched Syriana.  It is a great thriller that examines, through four parallel stories, the often times corrupt relationships between the United States and the Middle East, the desire for power and money, as well as the allure of radical Islam –  all through the lens of the oil industry, of course.  It has a great cast (George Clooney won an Oscar for his role) and a stomach churning story line that will break your heart and stoke your fury.  For those (like me) who don’t tolerate physical violence, you’ll want to watch it with someone who can tell you when you can uncover your eyes, unplug your ears, and stop chanting la, la, la to yourself when someone gets tortured.  It’s a pretty fascinating look at how we all think we are doing what is right.

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